In other words, are there any practical advantages to using SGamut vs. Also a good opportunity to learn more about Resolve (more impressive the more I learn about it). I'm currently comparing custom Rec709 picture profiles to SLog2+SGamut to see if it's possible to get the same looks using Rec709 in-camera (much easier to expose, focus, etc.). Premiere Gal CINEMATIC LUTS for drones and awesome COLOR correction Share Watch on Beginners Color Grading Guide for Adobe Premiere Pro 2021 ft.
FREE SLOG2 TO REC709 LUT SKIN
Using Resolve 11 with the above LUTs it's possible to get some pretty impressive looking color and skin tones with SLog2 and SGamut. Free Log to REC.709 Conversion LUTs for Canon, Sony, DJI, and more. In my tests so far, the F65 LUT from Sony for Slog2+SGamut to Slog2+Rec709 appears to be working OK for skin tones. Amira look for slog3 sgamut3.cine Made by Dennis Hingsberg (Amira look for slog3 sgamut3.cine) -1 and -2 Exposure compensated 3D LUTs Made by Dennis Hingsberg for LC709 and LC709A AlexaLogC2Rec709 From BMD Davinci Resolve Bleachbypass - (deliver us from Evil) LUT for slog2 RosolveCubeFiles. These might be helpful as Slog2+SGamut changes color behavior with exposure (fixed in Slog3+SGamut3). These are pretty nice too, and have versions for various levels of exposure. Here's Art Adam's article comparing Slog2+SGamut2 to Slog3+SGamut3: .Īlister Chapman's A7S 3D LUTs: . Once converted to Rec709 color with the Slog2 curve, a custom curve can be used in Resolve, then the final look saved as a 3D LUT which can then be loaded into Premiere Pro (real-time effect). Since the A7S gamma in Slog2 isn't full range, using the included Slog2+SGamut to Slog2+Rec709 3D LUT is a good starting point. After a bit of testing, including using a simple 3x3 linear color matrix (thank's dhessel), I found the best results with 3D LUTs. These will work in Resolve, Speedgrade, and PPro (load with a Lumetri Effect):ģD LUTs from Sony. Without a proper color transformation, SGamut is time consuming to color correct.
SGamut is Sony's 'top-of-the-line' ultra-wide color space.
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